It's recommended to look La hija del engaño movie (Die Tochter der Lüge).
Movie Issued - in 1951.
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Color Info: Black and White
Countries: Mexico
Genres: Drama
Languages: Spanish
Locations: Mexico
Runtimes: USA:78, Spain:77
Sound Mix: Mono
Tech Info: OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.37 : 1
Release Dates: Mexico:29 August 1951, USA:11 August 1977, Argentina:7 November 2000, Germany:13 February 2008
In movie played:
Victorio Blanco (actor)
Death Notes: Mexico City, Mexico
Birth Notes: Alvarado, Veracruz, Mexico
Death Date: 1 October 1977
Birth Date: 18 September 1893
Nacho Contla (actor)
José Escanero (actor)
Francisco Ledesma (actor)
Xavier Loyá (actor)
Birth Notes: Mexico, Distrito Federal, Mexico
Birth Date: 31 December 1934
Pepe Martínez (actor)
Álvaro Matute (actor)
Roberto Meyer (actor)
Ignacio Peón (actor)
Salvador Quiroz (actor)
Death Notes: Mexico City, Mexico
Birth Notes: Cuautla, Morelos, Mexico
Death Date: 23 November 1956
Birth Date: 2 November 1892
Jesus Rodriguez (actor)
Rubén Rojo (actor)
Death Notes: Mexico City, Mexico
Birth Notes: Madrid, Spain
Death Date: 30 March 1993
Birth Date: 15 December 1922
Fernando Soler (actor)
Brother of 'Andrés Soler' (qv), 'Domingo Soler' (qv) and 'Julián Soler' (qv)
Death Notes: Mexico City, Mexico
Birth Notes: Saltillo, Coahuila, Mexico
Birth Name: Díaz Pavía, Fernando
Spouse: 'Sagra del Río' (qv) (? - 24 October 1979) (his death)
Death Date: 24 October 1979
Birth Date: 24 May 1896
Fernando Soto (actor)
Birth Name: Soto Astol, Fernando
Birth Notes: Puebla, Mexico
Death Date: 11 May 1980
Death Notes: Mexico City, Mexico (diabetes)
Birth Date: 15 April 1911
Hernán Vera (actor)
Birth Notes: Merida, Yucatan, Mexico
Lily Aclemar (actress)
Birth Notes: Orizaba, Veracruz, Mexico
Birth Date: 5 February 1920
Alicia Caro (actress)
Birth Notes: Colombia
Spouse: 'Jorge Martínez de Hoyos' (qv) (? - ?)
Lupe Carriles (actress)
Birth Notes: Guadalajara, Jalisco, Mexico
Amparo Garrido (actress)
Conchita Gentil Arcos (actress)
Spanish-born biased actress of the '30s-50s, consistently playing somebody's aunt, neighbor, or servant. A shot friendlier-looking than her sister, 'María Gentil Arcos' (qv), although she achieve the stage a assassin contained by _La llorona (1933)_ (qv).
Óscar Dancigers (producer)
Death Date: 27 February 1976
Janet Alcoriza (writer)
She fled to Spain to escape the rise of the Nazis in her native Austria, where she worked for a time as a professional dancer., Immigrated to Mexico in the late 1930s to escape the Spanish Civil war., Worked for some years as an actress in Mexico under the name of Raquel Rojas., In later years, she wrote scripts for over 80 Mexican films., Was the only child of Austrian composer Hugo Riesenfeld.
Death Notes: Cuernavaca, Morelos, Mexico (lung cancer)
Birth Notes: Vienna, Austria
Birth Name: Riesenfeld, Janet
Spouse: 'Luis Alcoriza' (qv) (1946 - 3 December 1992) (his death)
Death Date: 12 November 1998
Birth Date: 4 January 1918
Luis Alcoriza (writer)
Spanish-Mexican actor/writer/director.
Death Notes: Cuernavaca, Morelos, Mexico
Birth Notes: Badajoz, Extremadura, Spain
Birth Name: Alcoriza de la Vega, Luis
Spouse: 'Janet Alcoriza' (qv) (? - 3 December 1992) (his death)
Death Date: 3 December 1992
Birth Date: 5 September 1918
Carlos Arniches (writer)
Death Notes: Madrid, Spain
Birth Notes: Alicante, Spain
Death Date: 16 April 1943
Birth Date: 11 November 1866
Antonio Estremera (writer)
José Ortiz Ramos (cinematographer)
Birth Notes: Tacámbaro, Michoacán, Mexico
Birth Date: 16 November 1911
Manuel Esperón (composer)
Birth Name: González, Manuel Esperón
Birth Notes: Mexico, Distrito Federal, Mexico
Birth Date: 3 August 1911
Luis Buñuel (director)
Articles: "The Independent Arts & Books Review" (UK), 2 February 2007, pg. 10 - 11, by: Geoffrey Mcnab, "The dream merchant", "Video Watchdog" (USA), March 2006, Iss. 124, pg. 72-73, by: Ramsey Campbell, "'Ramsey's Rambles': 'Los Olividados' aka 'The Young and the Damned' - Luis Bunuel, 1950", "Film Comment" (USA), January 2001, Vol. 37, Iss. 1, pg. 42-46, by: Peter Hogue, ""The Discreet Fury of Luis Bunuel"", "Film" (Poland), March 2000, pg. 112-116, by: Bartosz Zurawiecki, "Mroczny urok podswiadomosci", Polish, "Diário de Notícias" (Portugal), 22 February 2000, pg. 39, by: Elisabete França, "Buñuel, o cinema e os sonhos", "Cineaste" (USA), 2000, Vol. XXV, Iss. 2, pg. 32-33, by: George Rafael, "The Discreet Charms of Luis Bunuel", "Göteborgs-Posten" (Sweden), 21 December 1999, pg. 46, "Buñuels gåtor kräver inga svar", by: Monika Tunbäck-Hanson, "Expresso, Antena" (Portugal), 25 July 1998, pg. 7, by: Manuel Cintra Ferreira, "Buñuel, graças a Deus!", "The Chicago Literary Review" (USA), June 1969, Vol. 5, Iss. 7, pg. 5, by: John Druska, "Illusions of Deadly Angels", "Horizons du Fantastique" (France), April 1969, Iss. 6, pg. 30-32, by: René Predal, "Bourgeoisie, érotisme et religion dand l'oeuvre de Bunuel"
Became a Mexican citizen in 1948., Worked as chief editor and chief of the writer department of the Museum of Modern Art in New York (1939-1943), Rejected an offer from 'Salvador Dalí' (qv) to direct a sequel to _Un chien andalou (1929)_ (qv) in 1966., Father of film-maker 'Rafael Buñuel (II)' (qv)., Father of 'Juan Luis Buñuel' (qv), Liked to play tricks to his friends and, in Mexico, one of his favorite victims was the Spanish screenwriter 'Luis Alcoriza' (qv). During a hunting party, Alcoriza saw an eaglet on a tree and knocked it down with the first shot but then he found a price tag on a paw: it was a stuffed bird put there by Buñuel., Was voted the 14th Greatest Director of all time by Entertainment Weekly., Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 71-92. New York: The H.W. Wilson Company, 1987., Loathed 'Salvador Dalí' (qv)'s wife, 'Gala Dalí' (qv)., Although he was famously a lifelong atheist, he reportedly experienced a religious conversion at the end of his life., Praised by 'Alfred Hitchcock (I)' (qv) as the best director ever., Was father-in-law of filmmaker 'Joyce Buñuel' (qv)., Member of the jury at the Cannes Film Festival in 1954, 30 Film retrospective on the Berlinale in 2008., He was fluent in Spanish and French., In the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 9 of his films are listed: _Un chien andalou (1929)_ (qv), _L'âge d'or (1930)_ (qv), _Las Hurdes (1933)_ (qv), _Los olvidados (1950)_ (qv), _The Young One (1960)_ (qv), _Viridiana (1961)_ (qv), _Belle de jour (1967)_ (qv), _Tristana (1970)_ (qv) and _Le charme discret de la bourgeoisie (1972)_ (qv).
Biographical Movies: _El náufrago de la Calle Providencia (1971)_ (qv), _Buñuel (1984)_ (qv), _A propósito de Buñuel (2000)_ (qv), _De gevangenen van Buñuel (2000)_ (qv), _Un Buñuel mexican (1997)_ (qv), _Buñuel en Hollywood (2000) (TV)_ (qv), _Luis Buñuel en los 60 (1984)_ (qv), _Les paradoxes de Buñuel (1997)_ (qv)
Death Notes: Mexico, D.F., Mexico (liver and pancreatic cancer)
The father of cinematic Surrealism and one of the matchless inspired director contained by the earlier outbreak of the put on show milieu, Luis Buñuel be given a demanding Jesuit schooling (which sow the seed of his fascination beside both holiness and anti-establishment behavior), and subsequently moved to Madrid to research at the university in that, where on earth his close stirring friends built-in 'Salvador Dalí' (qv) and 'Federico García Lorca' (qv) After affecting to Paris, Buñuel accomplish freckled film-related open-minded job in Paris, as all right as engaged in picture of an aid to emperor 'Jean Epstein' (qv). With fiscal underpinning from his mother and inventive assistance from Dalí, he made his early film, the 17-minute _Un chien andalou (1929)_ (qv), in 1929, and directly catapult himself into film history gratefulness to its shameful descriptions (much of which - akin to the slice eyeball at the core - inactive pack a hit even today). It made a accepting general idea against the Surrealist Group, who welcome Buñuel into their ranks. The uninterrupted year, sponsor with booming art patrons, he made his first element, the scabrous witty and hostile _L'âge d'or (1930)_ (qv), which mercilessly attack the shrine and the inner classes, theme that would grip Buñuel in favour of the put your feet up of his art. That career, then again, seem almost ended by the mid-1930s, as he found tough grind negligible by little rubbery coming up by and after the Spanish Civil War he emigrate to the US where he work for the Museum of Modern Art and as a film dubber for Warner Bros. Moving to Mexico in the tardy 1940s, he teamed up with originator 'Óscar Dancigers' (qv) and after a two of a class of unmemorable diligence shot backbone to transnational defence with the lacerate study of Mexican road urchin, _Los olvidados (1950)_ (qv), which win him the Best Director bestow at the Cannes Film Festival. But notwithstanding this new-found commendation, Buñuel spent a great deal of the subsequent decade working on a miscellany of ultra-low-budget films, few of which made much impact out-of-doors Spanish-speaking pastoral (though varied of them be well assessment seeking out). But in 1961, General Franco, anxious to be see to be biased Spanish nation invite Buñuel back to his home-grown country -and Bunuel on juncture shot the appendage that nurture him by making _Viridiana (1961)_ (qv), which was debarred in Spain on the precincts of impertinence, though it won the Palme d'Or at the Cannes Film Festival. This inaugurate Buñuel's ending rigorous period when, in association with producer 'Serge Silberman' (qv) and novelist 'Jean-Claude Carrière' (qv) he made seven admirable late masterpieces, starting with _Le publication d'une femme de chambre (1964)_ (qv). Although far glossier and more unaffordable, and normally feature main star such as 'Jeanne Moreau' (qv) and 'Catherine Deneuve' (qv) the films show that even in mature age Buñuel cover wanting none of his immature gusto. After cliche that all one of his films from _Belle de jour (1967)_ (qv) onwards would be his last, he at the end of the day kept his give surety with _Cet obscur objet du désir (1977)_ (qv), after which he write a etched on your awareness (if accurately dubious) chart, where he said he'd be thrilled to char all the print of all his films -a classic Surrealist characteristic if ever there was one.
Height: 5' 9 1/2"
Quotes: I grasp a silky splodge contained by shop at of hidden passageways, bookshelves that unambiguous into gag, staircase that circle feathers into a nothingness, and buried safes. I even have one myself, but I won't relay you where on earth. At the other expiration of the spectrum be statistics which I repugnance near all my heart., [When asked why he made movies] To show that this is not the best of all possible worlds., I've always found insects exciting., Nothing would disgust me more morally than winning an Oscar., Thank God, I'm an atheist., Sex without religion is like cooking an egg without salt. Sin gives more chances to desire., I can only wait for the final amnesia, the one that can erase an entire life., All my life I've been harassed by questions: Why is something this way and not another? How do you account for that? This rage to understand, to fill in the blanks, only makes life more banal. If we could only find the courage to leave our destiny to chance, to accept the fundamental mystery of our lives, then we might be closer to the sort of happiness that comes with innocence., You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all, just as an intelligence without the possibility of expression is not really an intelligence. Our memory is our coherence, our reason, our feeling, even our action. Without it, we are nothing., The bar . . . is an exercise in solitude. Above all else, it must be quiet, dark, very comfortable - and, contrary to modern mores, no music of any kind, no matter how faint. In sum, there should be no more than a dozen tables, and a client that doesn't like to talk., 'Salvador Dalí' (qv) seduced many ladies, particularly American ladies, but these seductions usually consisted of stripping them naked in his apartment, frying a couple of eggs, putting them on the woman's shoulders and, without a word, showing them the door., If someone were to prove to me right this minute that God, in all his luminousness, exists, it wouldn't change a single aspect of my behavior., 'God and Country' are an unbeatable team; they break all records for oppression and bloodshed., Give me two hours a day of activity, and I'll take the other twenty-two in dreams., Tobacco and alcohol, delicious fathers of abiding friendships and fertile reveries., A paranoiac, like a poet, is born, not made., Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether., If you were to ask me if I'd ever had the bad luck to miss my daily cocktail, I'd have to say that I doubt it; where certain things are concerned, I plan ahead., In the name of Hippocrates, doctors have invented the most exquisite form of torture ever known to man: survival., Frankly, despite my horror of the press, I'd love to rise from the grave every ten years or so and go buy a few newspapers., To compare me with Goya is a nonsense. Critics speak of Goya because they don't know anything about Quevedo, Theresa of Avila, the picaresque literature, Galdòs, ['Ramón del Valle-Inclán' (qv)] and others . . . Today's culture is unfortunately inseparable from economic and military power. A ruling nation can impose its culture and give a worldwide fame to a second-rate writer like ['Ernest Hemingway' (qv)]. ['John Steinbeck' (qv)] is important due to American guns. Had ['John Dos Passos' (qv)] and ['William Faulkner (I)' (qv)] been born in Paraguay or in Turkey, who'd read them?
Carlos Savage (editor)
William W. Claridge (miscellaneous crew)
Antonio de Salazar (miscellaneous crew)
Edward Fitzgerald (production designer)
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